They’re here to kill Kal-El, extract his DNA, and build a new race of Kryptonians who will eliminate humans and repopulate the planet. That process is accelerated by the arrival on Earth of Zod and his cohorts, who had been imprisoned in the Phantom Zone (blah blah blah blah blah) but were released by the explosion of Krypton (blah blah blah blah blah). And just to prove that she’s more than a byline-hunting harpie, she agrees to kill her big story in order to give this Clark Kent fella an opportunity to get his head together.
#STEELHEART MOVIE TRAILER CRACK#
But there are nurturing moments, too, most delivered by Costner’s Jonathan Kent, who provides wise counsel and lessons in tough love that will ultimately result in his own death.īack in the present crack reporter Lois Lane (Amy Adams) is tracking down rumors of a mysterious young man with wondrous abilities. There’s bad stuff, like being able to see through people and hearing every sound within hundreds of miles – a prescription for madness. Of course he keeps saving people (as in the collapse of a North Sea oil rig), which draws attention, and then he has to disappear and start all over again.īut in flashbacks we do see his childhood. He works dangerous jobs (like on a trawler) while trying to keep secret his incredible powers. Goyer takes a different tack, leaping ahead 33 years to show the young Clark Kent leading a lonely nomadic existence. Then he fires his infant son Kal-El into space.Ĭonventional versions of the Superman legend typically show the capsule landing in Kansas, where the infant is adopted by farmers Jonathan and Martha Kent (played here by Kevin Costner and Diane Lane). In a way-too-long prologue set on the dying planet Krypton, the scientist Jor-El (Russell Crowe, who throughout the movie pops up periodically in ghostly form) argues with the bug-eyed intense General Zod (Michael Shannon). “Man of Steel,” on the other hand, occupies an irony-free zone. In the process they inadvertently reconfirm that Christopher Reeve was/is the best movie Superman of all time, thanks to his disarming blend of sincere heroism and an intoxicatingly sly sense of humor.
Goyer (the Christopher Nolan “Batman” films, the “Blade” movies), want it both ways – and so they have given us a glum, joyless origin story and a whole lot of destruction. Snyder (“300,” “Dawn of the Dead,” “Watchmen”) and screenwriter David S. Sequels, on the other hand, invariably deteriorate into long, numbing passages of shit being torn up (see “The Avengers,” any “Transformers” film, etc.). They’re about a superhero discovering who he is, establishing what his relationship is to the rest of us mere mortals. Superhero origin stories usually benefit from a human dimension lacking in followup films. Zack Snyder’s reboot of the venerable superhero franchise is yet another piercingly loud, atavistically violent affair, albeit one that seems to have been assembled from spare parts left over from other big, noisy summer popcorn flicks. He might even be able to act, although you won’t be able to tell from “Man of Steel.”
#STEELHEART MOVIE TRAILER HOW TO#
He knows how to fill not only the red-and-blue suit but looks extremely hot in a Royals T-shirt. Henry Cavill, our newest Superman, certainly has the look down. “MAN OF STEEL” My rating: C (Opens wide on June 14)
0 kommentar(er)
